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I am a comic book collector and happy to be one. I might say “proud” if I hadn’t, over a year ago, switched to reading digital as opposed to print comics. I feel a bit robbed of the tactile sensations of the hobby – of the turn of the page, the sneaking look to the panel a page over, the bagging and shorting and stacking and filing. Though I read my comics in a different medium than I used to, I still treat each Wednesday (comic book delivery day to specialty shops around the country) as different from the other days of the week. I subscribe and now, rather than go to the comic store to be handed the books pulled for my “Hold Slot,” I click a button on my iPad and watch them download.
Then I read them.
Rare is the week that I don’t read them all between Wednesdays and some weeks I have, well… let’s just say more comic books in my digital downloads than a grown man should. Comic book legend Will Eisner (creator of The Spirit) is one of the most influential men even to put pencil to drawing board in the pursuit of making comics. So influential was he that the industry awards (think the Oscars or the Emmys or the Grammys) are named The Eisner Awards. He called comic books “sequential art,” perhaps because he became embarrassed by his profession when he had to admit what he did for a living. This is my weekly reaction to the comics I read.
Comics I Read Last Week:
The best comic I read last week was Batman #27
Writers: Tom King
Artists: Clay Mann
There was an amazing run (pun intended) of issues of the The Flash wherein writer Geoff Johns re-told stories of the Flash’s Rogues Gallery to make the villains seem less cartoonish and more, well, villain-like. These were effective and provocative stories – instant classics.
Batman #27 not only reminded me of those stories, it exceeded them in at least two ways: first, it took place in the overall telling of a remarkable arc (“The War of Jokes and Riddles”) and, second, it took one of the most ridiculous villains of ALL TIME – Kite Man – and made him something… more. Something dangerous. Something sad. Something… wrong.
Well done, Tom King. Each month you surprise and delight. I cannot wait for your Mister Miracle title and I will follow you to any book you are on.
King is so good that his work here overcomes the loss of his key artist. Clay Mann fills in for Michael Janin and, while Mann’s work is competent if not inspiring, it is simply not at the same standard as Janin (or rotating artist David Finch for that matter).
But even a sub-par effort on the art cannot detract from what is another special issue in what is a spectacular run.
Tom King should write all the comics.