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I am a comic book collector and happy to be one. I might say “proud” if I hadn’t, over a year ago, switched to reading digital as opposed to print comics. I feel a bit robbed of the tactile sensations of the hobby – of the turn of the page, the sneaking look to the panel a page over, the bagging and shorting and stacking and filing. Though I read my comics in a different medium than I used to, I still treat each Wednesday (comic book delivery day to specialty shops around the country) as different from the other days of the week. I subscribe and now, rather than go to the comic store to be handed the books pulled for my “Hold Slot,” I click a button on my iPad and watch them download.
Then I read them.
Rare is the week that I don’t read them all between Wednesdays and some weeks I have, well… let’s just say more comic books in my digital downloads than a grown man should. Comic book legend Will Eisner (creator of The Spirit) is one of the most influential men even to put pencil to drawing board in the pursuit of making comics. So influential was he that the industry awards (think the Oscars or the Emmys or the Grammys) are named The Eisner Awards. He called comic books “sequential art,” perhaps because he became embarrassed by his profession when he had to admit what he did for a living. This is my weekly reaction to the comics I read.
COMICS I READ LAST WEEK
The best comic I read last week was
Super Sons #4.
Writer: Peter Tomasi
Artist: Jorge Jimenez
This comic book is intended to be a fun read filled with the kinetic energy that teens and preteens have in abundance and the team of Jorge Jimenez and Peter Tomasi are delivering. Of the books I read monthly, this one brings a smile to my face more often than others and is, frankly, the most enjoyable comic I read. It is not overly complex. It does not take itself too seriously. It knows what is it and what it is is joyful.
The dynamic between Robin (Damian Wayne) and Superboy (Jon Kent) is just what it ought to be. Jon is something of a naive do-gooder, always ready to call in the “super dads” to assist the boys while Damian is an arrogant know-it-all, always ready for the boys to go it alone no matter the risks. Essentially, Tomasi as broken down and magnified the traditional relationship between Batman and Superman and is playing it out in broader strokes with the boys.
Tomasi must be a father himself or have spent plenty of time around kids because he nails both the mindset and the dialogue of teenagers. Give this guy Teen Titans when it is looking for a new writer.
Jorge Jimenez’s art is wonderful. His predilection for cartoonish expressions which brim with manga influence is the right match for the tone of the book. Jimenez’s kids look like kids and there is great contrast between them and the adults in the book. I have noted this in prior reviews: drawing children seems to be a difficult task for many artists. Not for Jimenez. One of the things that truly shines in this issue is that Jimenez is able to contrast the fun of the book with the fairly terrible actions of the villain, Kid Amazo. The juxtaposition is powerful.
Super Sons is great. It hearkens back to the comics of my childhood, feeling very World’s Finest in its approach and execution. I loved that book as a kid. I love this one as a kid-like adult.