Tag Archives: Alex Maleev

The Best Sequential Art I Read Last Week: August 14 – 20, 2019

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I am a comic book collector and happy to be one. I might say “proud” if I hadn’t, over a year ago, switched to reading digital as opposed to print comics. I feel a bit robbed of the tactile sensations of the hobby – of the turn of the page, the sneaking look to the panel a page over, the bagging and shorting and stacking and filing. Though I read my comics in a different medium than I used to, I still treat each Wednesday (comic book delivery day to specialty shops around the country) as different from the other days of the week. I subscribe and now, rather than go to the comic store to be handed the books pulled for my “Hold Slot,” I click a button on my iPad and watch them download.

Then I read them.

Rare is the week that I don’t read them all between Wednesdays and some weeks I have, well… let’s just say more comic books in my digital downloads than a grown man should. Comic book legend Will Eisner (creator of The Spirit) is one of the most influential men even to put pencil to drawing board in the pursuit of making comics. So influential was he that the industry awards (think the Oscars or the Emmys or the Grammys) are named The Eisner Awards. He called comic books “sequential art,” perhaps because he became embarrassed by his profession when he had to admit what he did for a living. This is my weekly reaction to the comics I read.

Comics I Read Last Week:

The Best Comic I Read Last Week Was Event Leviathan #3

Writer: Brian Michael Bendis

Artist:  Alex Maleev

Let us take this post to appreciate the artistry of Alex Maleev. Not only does he deliver pencils that are amazingly realistic and panels that are beautifully structured, he is also his own inker and colorist. As much as Brian Michael Bendis, superstar writer (and he remains a superstar as remakes much of the infrastructure of DC Comics), is responsible for developing Event Leviathan into, well, an EVENT, Maleev is equally responsible for making it so compelling. While Bendis’ dialogue and plotting here are worthy of The West Wing, the feeling of the book – its ethos – is so entirely Maleev that it is impossible to think of what’s going on here with anyone else illustrating it.

Batman has never looked better and the confidence with which Lois Lane is presented is spot on and perfectly rendered.

Event Leviathan is, perhaps, the best example of a perfect collaboration between writer and artist on the market today.

 

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The Best Sequential Art I Read Last Week: July 10 – 16, 2019

Related Content from And There Came A Day:

I am a comic book collector and happy to be one. I might say “proud” if I hadn’t, over a year ago, switched to reading digital as opposed to print comics. I feel a bit robbed of the tactile sensations of the hobby – of the turn of the page, the sneaking look to the panel a page over, the bagging and shorting and stacking and filing. Though I read my comics in a different medium than I used to, I still treat each Wednesday (comic book delivery day to specialty shops around the country) as different from the other days of the week. I subscribe and now, rather than go to the comic store to be handed the books pulled for my “Hold Slot,” I click a button on my iPad and watch them download.

Then I read them.

Rare is the week that I don’t read them all between Wednesdays and some weeks I have, well… let’s just say more comic books in my digital downloads than a grown man should. Comic book legend Will Eisner (creator of The Spirit) is one of the most influential men even to put pencil to drawing board in the pursuit of making comics. So influential was he that the industry awards (think the Oscars or the Emmys or the Grammys) are named The Eisner Awards. He called comic books “sequential art,” perhaps because he became embarrassed by his profession when he had to admit what he did for a living. This is my weekly reaction to the comics I read.

Comics I Read Last Week:

The Best Comic I Read Last Week Was Event Leviathan #2

Writer: Brian Michael Bendis

Artist:  Alex Maleev

This is not actually what is happening, right? Did Event Leviathan really just reveal who the big bad is in the second issue? While I seriously doubt that is the case, I would be pleased if it were for two reasons: first, these event comics play out in such a decompressed manner that, typically, nothing seems to happen and, second, I would be happy with the choice of the big bad. If the suggested big bad is, in fact, the big bad.

Brian Michael Bendis has a unique voice and writing style and I was concerned in his first DC offerings about how it would work in the DC universe. His particular flavor seemed a bit discordant in his early efforts or, more likely, my reaction was about me adjusting to it. Consider my adjustment period over. I know everyone is relived. Bendis is putting together a great book here and the voices he’s writing sound spot on to me.

Alex Maleev is one of the best artists in the game and what I really noticed here is his framing. The issue contains a significant amount of dialogue between two characters interspersed with a ton of flashbacks and Maleev makes it work like a walk-and-talk from The West Wing. When the reveal hits at the end of the issue, the reader did not see it coming and that is a testament to how Maleev set the panels and pages up throughout the issue. Very impressive stuff.

Event Leviathan may well live up to the hype…

 

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The Best Sequential Art I Read Last Week: June 12 – 18, 2019

Related Content from And There Came A Day:

I am a comic book collector and happy to be one. I might say “proud” if I hadn’t, over a year ago, switched to reading digital as opposed to print comics. I feel a bit robbed of the tactile sensations of the hobby – of the turn of the page, the sneaking look to the panel a page over, the bagging and shorting and stacking and filing. Though I read my comics in a different medium than I used to, I still treat each Wednesday (comic book delivery day to specialty shops around the country) as different from the other days of the week. I subscribe and now, rather than go to the comic store to be handed the books pulled for my “Hold Slot,” I click a button on my iPad and watch them download.

Then I read them.

Rare is the week that I don’t read them all between Wednesdays and some weeks I have, well… let’s just say more comic books in my digital downloads than a grown man should. Comic book legend Will Eisner (creator of The Spirit) is one of the most influential men even to put pencil to drawing board in the pursuit of making comics. So influential was he that the industry awards (think the Oscars or the Emmys or the Grammys) are named The Eisner Awards. He called comic books “sequential art,” perhaps because he became embarrassed by his profession when he had to admit what he did for a living. This is my weekly reaction to the comics I read.

Comics I Read Last Week:

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The Best Comic I Read Last Week Was Event Leviathan #1

Writer: Brian Michael Bendis

Artist:  Alex Maleev

First, I do not understand the title. 

Second, I do not need to.

Event Leviathan promises to be the event of the summer and is written by a dude who knows something about constructing summer events. With a goal of streamlining the covert agencies of the DC Universe as a backdrop, Brian Michael Bendis and Alex Maleev take on the DC characters – specifically a group of DC detectives – in what is labeled a “mystery thriller” and the first chapter delivers on all cylinders.

Maleev is the perfect artist for the kind of street-level story the first issue of Event Leviathan seems to be. He clearly is enjoying this high profile DC event and is reveling in working with his frequent collaborator Bendis. The two seem to play to each others’ strengths and that bodes well for this title.

The joy of the book is found in the most quiet moments and the best – by far – is the dialogue between Batman and Lois Lane. In a book that suggests high stakes are afoot, this type of small scene is welcome and brilliant.

This is Bendis at his best. This is events comics at their best. This is the oddly titled Event Leviathan. It might be the best book of the summer.

 

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The Best Sequential Art I Read Last Week: March 29 – April 4, 2017


Related Content from And There Came A Day:


I am a comic book collector and happy to be one. I might say “proud” if I hadn’t, over a year ago, switched to reading digital as opposed to print comics. I feel a bit robbed of the tactile sensations of the hobby – of the turn of the page, the sneaking look to the panel a page over, the bagging and shorting and stacking and filing. Though I read my comics in a different medium than I used to, I still treat each Wednesday (comic book delivery day to specialty shops around the country) as different from the other days of the week. I subscribe and now, rather than go to the comic store to be handed the books pulled for my “Hold Slot,” I click a button on my iPad and watch them download.
Then I read them.
Rare is the week that I don’t read them all between Wednesdays and some weeks I have, well… let’s just say more comic books in my digital downloads than a grown man should. Comic book legend Will Eisner (creator of The Spirit) is one of the most influential men even to put pencil to drawing board in the pursuit of making comics. So influential was he that the industry awards (think the Oscars or the Emmys or the Grammys) are named The Eisner Awards. He called comic books “sequential art,” perhaps because he became embarrassed by his profession when he had to admit what he did for a living. This is my weekly reaction to the comics I read.

COMICS I READ LAST WEEK

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The best comic I read last week was

Infamous Iron Man #6.

 

Writer: Brian Michael Bendis

Artist: Alex Maleev 

 

This is my second week in a row selecting a Brian Michael Bendis penned book and that’s a good thing. Perhaps Bendis is back on his stride after hitting a recent slow patch.

His frequent contributor, Alex Maleev, has never missed a step. Though I wondered if his intricate and realistic line work would be suited for an Iron Man title, I was foolish to be concerned: he’s been a terrific match for this book and his Vincent Cassell based Victor Von Doom is pretty cool.

Yes, Dr. Doom is all new, all different and is wearing a version of the Iron Man armor trying to redeem himself after a life of terrible acts. That’s a compelling set up that Bendis is paying off in this issue.

Given the rumor that the stalwarts of the Marvel Universe are about to return to the comics they used to headline, it’s likely this is all going to wrap up soon, and that’s too bad. Marvel has taken a few risks the last few months and what they’ve done with Iron Man has been my favorite of those risks. I’ll be sorry to see it all end.

If you’re a comic reader, do yourself a favor: buy this book in trade paperback. You won’t regret it, I promise!

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