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Peyton Reed director of Ant-Man and the Wasp and his team of writers, which includes star Paul Rudd (in very fine form here) had an unenviable task ahead of them when they set out to make their film. Knowing they were going to follow the massive Avengers | Infinity War they had to decide, if you will pardon the pun, to go big or go home.
Surprisingly – and effectively – they chose to go home or, at least, to stay close to home. Of all the Marvel Studios films to date, Ant-Man and the Wasp might be the smallest (okay, that one was totally unintentional – I caught it on my proofread!) in terms of stakes and scope.
Picking up over a year after Ant-Man and almost a year after Captain America: Civil War, Ant-Man and the Wasp opens on lovable hero Scott Lang (Rudd) who is holding up as well as he can under the house arrest he agreed to in exchange for his release from prison following the events of Civil War – somebody get me his lawyer if I get into trouble. Violating the Sovokia Accords in Civil War was tantamount to treason. A year of house arrest? Nice job, counselor. Scott is waiting for the day, coming very soon, that he can take off his ankle bracelet, bid farewell to spot inspections by the FBI and leave his home.
Of course, completing his sentence will not be that easy. It turns out Hank Pym (a very fun, very game Michael Douglas) and Hope Van Dyne (Evangeline Lilly who is so good perhaps Marvel sound have titled the film The Wasp and Ant-Man) need help that only Scott can provide.
And off we go…
What is bold about the movie is the change of pace tone it strikes. It is about as far removed from the rest of the Marvel Cinematic Universe as any one of these films to date and, following the heaviness of Infinity War, that is a surprisingly welcome change. The universe is not at stake. The fate of the world does not hang in the balance. The survival of the city is not in play. Rather there are personal goals at hand and family goals at that.
In setting the scale in this fashion, the filmmakers avoid one of the traps that hangs up superhero movies, namely how is tension created without building bigger mousetraps after bigger mousetraps? Ant-Man and the Wasp understands that its best assets are its sterling and delightful cast (Michael Pena is back as Luis!), the fantastic shirking/growing action scenes and a breezy plot (that may not hold up to very much scrutiny).
Paul Rudd is lovable, energetic and as excited by what he can do as the audience is watching him do it. He is all emotion and utterly convincing as a C-List superhero trying to simply be a dad. His comedic timing is spot on and his Ant-Man is the most grounded of all the Marvel characters – less silly than Star Lord and less angsty than Hawkeye. I could watch this shtick for a long time before it got old. Evangeline Lilly deserves a larger spotlight than she gets here, and the spotlight here is pretty large. Her Wasp is a no-nonsense, accomplished heroine who is more than capable of carrying the film and the caper on her own. Together, they are a wonderful team. The movie could have done a bit more with their dynamic, actually.
The set pieces are truly inventive and fun to watch. Peyton Reed does a remarkable job keeping them fresh and distinguishing them from the kind of action we have seen in prior films. There is some creativity at play here and the effects benefit greatly from being experienced on the big screen.
The plot of Ant-Man and the Wasp is intended to be light and airy. It succeeds. Perhaps too well. If there is a draw back its found in the success of these films. We expect them to be layered thematically, to swell with emotion, to make us cry while we laugh. Infinity War set that high a bar. Ant-Man and the Wasp is not that movie. It is something different. Once I allowed myself to settle into that, I had a great time.
You will, too.
ANT-MAN AND THE WASP receives FOUR GIANT SALT SHAKERS out of a possible FIVE