Related Content from And There Came A Day:
- The Best Sequential Art I Read Last Week: November 22 – 28, 2017
- The Best Sequential Art I Read Last Week: November 15 – 21, 2017
- The Best Sequential Art I Read Last Week: November 8 – 14, 2017
- The Best Sequential Art I Read Last Week: November 1 – 7, 2017
I am a comic book collector and happy to be one. I might say “proud” if I hadn’t, over a year ago, switched to reading digital as opposed to print comics. I feel a bit robbed of the tactile sensations of the hobby – of the turn of the page, the sneaking look to the panel a page over, the bagging and shorting and stacking and filing. Though I read my comics in a different medium than I used to, I still treat each Wednesday (comic book delivery day to specialty shops around the country) as different from the other days of the week. I subscribe and now, rather than go to the comic store to be handed the books pulled for my “Hold Slot,” I click a button on my iPad and watch them download.
Then I read them.
Rare is the week that I don’t read them all between Wednesdays and some weeks I have, well… let’s just say more comic books in my digital downloads than a grown man should. Comic book legend Will Eisner (creator of The Spirit) is one of the most influential men even to put pencil to drawing board in the pursuit of making comics. So influential was he that the industry awards (think the Oscars or the Emmys or the Grammys) are named The Eisner Awards. He called comic books “sequential art,” perhaps because he became embarrassed by his profession when he had to admit what he did for a living. This is my weekly reaction to the comics I read.
Comics I Read Last Week:
The best comic I read last week was Batman Annual #2.
Writer: Tom King
Artist: Lee Weeks and Michael Lark
The cover of Batman Annual #2 reads “Date Nights | Last Rites” and it should be taken literally. Writer Tom King continues his engrossing exploration of the Batman/Catwoman relationship which has, recently, taken a turn toward marriage. This annual reframes the beginnings of the conflict between the two characters as a budding flirtation centered on the idea that they both fill in pieces for the other, that each fits in the other’s life.
It is a compelling premise and the “joke” at the center of it – that they cannot agree on when they actually first met – plays out effectively and fulfillingly throughout the issue.
Broken into two parts, the Date Night portion and the Last Rites section, this issue is remarkably satisfying and surprisingly affecting. If the Last Rites chapter represents the “true” history of Batman and Catwoman, there is much for which to root and much for which to despair.
Lee Weeks handles the Date Nights section and Michael Lark the Last Rites piece. Both are terrific pencilers and have very complimentary styles. Both hew closer to the realistic than the cartoon-ish and, in that, they are perfect for writer King whose most absurd tendencies as a plotter remain anchored in the real world. And Lark draws the cutest black kitten you are likely to ever see in a comic book.
King and collaborators continue to make Batman a must, must, must read. This annual was no exception to that rule.